Heidi Montag - Tetris | KARAOKE

♫♫♫♫♫

Haha, another one

Short skirt, make him 

wanna get it

Long hair, make him 

wanna flip it

Like a stripper, make him 

wanna tip it

If you're cute, maybe 

I'ma let him put the tip in

Gold chains, gold bangs

Gold hoops, gold rings

I say using the same toys

I ain't playing no game, boy

Oh, no, no, no I just wanna 

love you, baby

Oh, no, no, no clothes 

on the floor, so crazy

Oh, no, no, no, boy, 

there's the door, 

now you should go

I make all these boys 

be lining up like Tetris 

in a row

Yeah, they only want 

one thing but they could never 

take me home

Oh, no, there you go

'Cause all these boys 

be lining up like Tetris in a row

Another one, watch them fall

Another one, watch them fall

Another one

Another one, watch them fall

Another one, watch them fall

Another one

Tight shirt, 

make them wanna rip it

Long nails 'cause 

I wanna kill it

Heavy hitter 'cause 

I'm gonna win it

Yeah, he cute but he doesn't 

know I'm pretty vicious

Gold chains, gold bangs

Gold hoops, gold rings

I say using the same toys

I ain't playing no game, boy

Oh, no, no, no I just wanna 

love you, baby

Oh, no, no, no clothes on 

the floor, so crazy

Oh, no, no, no, boy, there's 

the door, now you should go

I make all these boys 

be lining up like Tetris in a row

Yeah, they only want one thing 

but they could never take me home

Oh, no, there you go

'Cause all these boys be 

lining up like Tetris in a row

Another one, watch them fall

Another one, watch them fall

Another one

Another one, watch them fall

Another one, watch them fall

Another one

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Atasha Muhlach - Handa Na Ako | LYRIC VISUALIZER

♫♫♫♫♫

You piss me off

You playing in my face now

Don't pull me on your way down

Can't fool me anymore

Is this what love costs

Expecting me to stay down

How you wrong and really loud

Not your revolving door

No, no, no

Cause I've opened up my eyes

No, no, no

Couldn't help it if you tried

Hook

It's so like you to be crying wolf

You and truth are incompatible

You got everything to lose

It's so like you to be crying wolf

I'm not falling like I did before

In case you didn't read the room

Sorry isn't breaking news

Mmm

Lies are on your breath, 

measuring your steps

You'd leave me for dead

If my guard was dropping

You're all talk, 

boy get it in your head

Don't double back

I'm so exhausted

No, no, no

Cause I've opened up my eyes

No, no, no

Couldn't help it if you tried

It's so like you to be crying wolf

You and truth are incompatible

You got everything to lose

It's so like you to be crying wolf

I'm not falling like I did before

In case you didn't read the room

Sorry isn't breaking news

Mmm

You don't need me for the drama

You need an applause

You be lying unprovoked 

and cappin' with no cause

You don't make it easier

Easier at all

You don't make it easier

Easier at all

You don't need me for the drama

You need an applause

You be lying unprovoked 

and cappin' with no cause

You don't make it easier

Easier at all

You don't make it easier

Easier at all

It's so like you to be crying wolf

You and truth are incompatible

You got everything to lose

It's so like you to be crying wolf

I'm not falling like I did before

In case you didn't read the room

Sorry isn't breaking news

Mmm

The Weeknd - Cry For Me | LYRIC VISUALIZER

♫♫♫♫♫

Ooh, yeah

Ooh, yeah

I can feel it

Girl, pick up your phone, 

I can't believe it

I can feel my spirit 

slowly leaving

I can't see myself 

and I'm not breathing (Ah)

I'm not breathing 

(I'm not breathing)

Slowly bleeding (Bleeding)

I wish that I told you 

all my feelings (Feelings)

I hope that I live life 

for a reason (Reason)

But at least you'll

 play this song

When I'm gone

And I hope you cry for me 

like I cry for you

Every night for you, 

take it easy on me, baby

'Cause I tried with you, 

saw my life with you

End of time with you, 

now we're strangers

And I hope that you still 

cry for me like I cry for you

Every night for you, 

I've been living with this lie

Now I can't hide the truth, 

I can't hide the truth

Girl, I'll cry for you

Girl, I'll cry for you, 

ooh, yeah

I can't see clear

I wash my fears with 

whisky tears

I disappear

Don't interfere, 

the end is near

The crowd'll scream

I block my ears to stop 

the cheers

'Cause the stage took a toll

Been faded on the floor

In this penthouse prison, 

I'm alone

And I hope you cry for me like 

I cry for you

Every night for you, 

take it easy on me, baby

'Cause I tried with you, 

saw my life with you

End of time with you, 

now we're strangers

And I hope that you still cry 

for me like I cry for you

Every night for you, 

I've been living with this lie

Now I can't hide the truth, 

I can't hide the truth 

Girl, I'll cry for you

Girl, I'll cry for you, 

ooh, yeah

Every time I hit the road, 

it takes a little piece of me

Kills me slowly (Slowly)

When I needed you the most, 

you always gave me sympathy

Now you're over me (Over me)

Now you're better on your own, 

it ain't a fucking mystery

You've been showing me

Now I've been burning up 

my home, baby

I've been burning up my home

And I hope you cry for me like 

I cry for you

Every night for you, 

take it easy on me, baby

'Cause I tried with you, 

saw my life with you

End of time with you, 

now we're strangers

And I hope that you still cry 

for me like I cry for you

Every night for you, 

I've been living with this lie

Now I can't hide the truth, 

I can't hide the truth

Girl, I'll cry for you

Girl, I'll cry for you, 

ooh, yeah

Say Now - DON'T TEXT DON'T CALL | LYRIC VISUALIZER

Emerging from the vibrant UK music scene, Say Now is a dynamic pop trio redefining the girl group narrative with their unapologetic lyrics and infectious energy. Comprising Ysabelle "Yssy" Salvanera, Amelia Onuorah, and Madeleine "Maddie" Haynes, the group has swiftly garnered attention for their candid storytelling and genre-blending sound.

Formation and Early Journey

The inception of Say Now is a testament to the power of social media and serendipity. Amelia and Yssy connected through Instagram, recognizing a shared musical vision. Their synergy was undeniable, yet they felt the ensemble was incomplete. The missing piece materialized when they discovered Maddie, also via Instagram. Their first meeting, fittingly held at a dessert parlour in King's Cross, London, solidified their bond. This initial encounter laid the foundation for a journey marked by authenticity and mutual respect. citeturn0search2

Before settling on the name Say Now in July 2023, the trio operated under the moniker "needanamebro," a playful nod to their evolving identity. This interim period saw them amass a significant online following, with nearly 250,000 TikTok followers and over 11 million likes, underscoring their organic appeal and relatability. citeturn0search4

Musical Style and Influences

Say Now's sound is a vibrant fusion of pop and R&B, drawing inspiration from iconic UK girl groups like the Sugababes and the Spice Girls. Their music embodies a British sensibility—unfiltered, bold, and unapologetically authentic. The trio also cites contemporary British rappers such as Central Cee, Little Simz, and Dave as influences, particularly in their approach to storytelling and lyrical composition. citeturn0search4

"DON'T TEXT DON'T CALL": An Anthem of Empowerment

Released in February 2025, "DON'T TEXT DON'T CALL" marks Say Now's first single of the year, encapsulating their ethos of self-worth and resilience. The track, co-written with producer Maestro (noted for collaborations with Rihanna and Tyla), Savannah Jada (associated with Mahalia and Raeheaven), and James Essien (who has worked with LISA and H.E.R.), delivers a powerful message to those entangled in ambiguous relationships. The song encourages listeners to recognize their value and disengage from individuals who do not respect their time or emotions. citeturn0search1

In a collective statement, the band expressed: "In a generation where you’re so easily accessible, sometimes you get to the point of wanting to throw your phone away and move on. We want everyone to know they’re worthy of a good love, and sometimes bad people don’t even deserve a text, call or DM." This sentiment resonates deeply in an era dominated by digital communication, where boundaries can often become blurred. citeturn0search1

Live Performances and Recognition

Say Now's dynamic stage presence has not gone unnoticed. In 2024, they had the honor of supporting pop icon Kylie Minogue at BST Hyde Park, a testament to their rising prominence in the music industry. Their relentless dedication and unique sound culminated in winning the Rising Star Award at the UK Glamour Awards later that year, solidifying their status as formidable newcomers. citeturn0search1

Looking Ahead

With "DON'T TEXT DON'T CALL," Say Now continues to carve out a distinct space in the music landscape, blending nostalgic pop elements with contemporary themes. Their commitment to authenticity, combined with their musical prowess, positions them as a transformative force in modern pop music. As they forge ahead, fans eagerly anticipate what this trailblazing trio will deliver next.

MARINA - BUTTERFLY | LYRIC VISUALIZER

Marina Lambrini Diamandis, known professionally as MARINA (formerly Marina and the Diamonds), has captivated audiences with her distinctive blend of indie pop, electropop, and art pop since her emergence in the late 2000s. Born on October 10, 1985, in Brynmawr, Wales, to a Welsh mother and Greek father, Diamandis's multicultural upbringing has profoundly influenced her artistic journey.

In February 2025, MARINA unveiled "Butterfly," the lead single from her anticipated sixth studio album. This release marks a significant evolution in her musical trajectory, blending introspective lyricism with euphoric melodies. The accompanying music video, which premiered simultaneously on YouTube and the Paramount Times Square billboards in New York City, visually encapsulates the song's themes of transformation and self-discovery.

"Butterfly" draws inspiration from MARINA's personal experiences and artistic growth. In an April 2024 interview with Rolling Stone, she revealed that her creative process underwent a profound shift following a therapeutic psilocybin experience. This journey not only led her to explore poetry—culminating in her debut collection, "Eat the World," released in October 2024—but also infused her music with renewed depth and introspection. The poems, which began as song lyrics, delve into themes of love, trauma, and personal growth, mirroring the metamorphic essence of "Butterfly."

The song's lyrics metaphorically depict the journey of transformation, resonating with listeners who have navigated personal challenges. Musically, "Butterfly" combines MARINA's signature art pop sound with contemporary electropop elements, creating an uplifting and anthemic atmosphere. This fusion showcases her ability to evolve artistically while maintaining the distinctive style that has endeared her to fans worldwide.

The release of "Butterfly" has been met with critical acclaim. Reviewers have lauded the track for its lyrical depth and MARINA's vocal performance, highlighting it as a standout addition to her discography. The song's exploration of personal transformation and resilience has particularly resonated in a time when many seek narratives of hope and renewal.

Beyond her musical endeavors, MARINA has been an outspoken advocate for mental health awareness and women's rights. Her openness about personal struggles, including her battle with an eating disorder, has fostered a sense of community and solidarity among her audience. In a November 2024 interview with People magazine, she emphasized the importance of vulnerability in her art, stating that sharing her experiences has been both therapeutic and a means to connect deeply with her fans.

As MARINA embarks on this new chapter with "Butterfly" and her forthcoming album, she continues to solidify her place as a dynamic and influential figure in the music industry. Her unwavering commitment to artistic authenticity and personal growth not only enriches her music but also inspires listeners to embrace their own transformative journeys.

navlistMARINA's 'Butterfly' Soars: Latest Reviews and Featuresturn0news24,turn0news25,turn0news26

Everything Is Recorded - Never Felt Better ft Florence Welch & Sampha kar

Richard Russell, the visionary behind XL Recordings, has long been celebrated for his collaborative project, Everything Is Recorded. This endeavor brings together a diverse array of artists to create genre-defying music. On February 28, 2025, Everything Is Recorded is set to release its third studio album, Temporary, via XL Recordings. A standout track from this album is "Never Felt Better," featuring the powerful vocals of Florence Welch and the soulful tones of Sampha.

"Never Felt Better" serves as a testament to Russell's ability to blend distinct musical styles into a cohesive and emotive piece. The song is described as a "transcendent and hymnal piece of music," showcasing the unique vocal interplay between Welch and Sampha. Their combined voices create a spine-tingling effect, allowing the song to subtly unspool and envelop the listener in its depth and warmth. citeturn0search7

The accompanying music video, directed by Kristian Mercado and Mela Murder, complements the song's ethereal quality. The visual narrative enhances the track's themes, providing a rich, immersive experience that resonates with the audience. citeturn0search4

Temporary marks a significant evolution in Russell's musical approach. While his previous work prioritized rhythm over melody and lyrics, this album flips that formula, allowing melodic elements to take center stage. Created over four years (2020-2024), primarily at Russell's West London Copper House studio, with additional sessions spanning from Tottenham to Los Angeles and Las Vegas, the album explores themes of grief and loss through "luminous, serene compositions." This results in what is described as "perhaps one of the gentlest albums ever written about death." citeturn0search0

The album features an impressive roster of collaborators, including Bill Callahan, Noah Cyrus, Maddy Prior, Berwyn, Alabaster DePlume, Jah Wobble, Yazz Ahmed, Laura Groves, Kamasi Washington, Rickey Washington, Roses Gabor, Jack Peñate, Samantha Morton, Clari Freeman-Taylor, and Nourished By Time. This diverse lineup contributes to the album's rich tapestry of sounds and themes. citeturn0search5

Florence Welch, known for her work with Florence + The Machine, brings her signature ethereal and powerful vocal style to "Never Felt Better." Her collaboration with Everything Is Recorded adds a new dimension to her artistic repertoire, showcasing her versatility and willingness to explore new musical landscapes.

Sampha, a British singer-songwriter and musician, is renowned for his soulful voice and emotive performances. His contribution to "Never Felt Better" adds depth and resonance, complementing Welch's vocals and enhancing the track's emotional impact.

Richard Russell's Everything Is Recorded project continues to push the boundaries of collaborative music-making. With "Never Felt Better" and the forthcoming album Temporary, Russell demonstrates his commitment to creating innovative and emotionally resonant music that brings together artists from diverse backgrounds to explore universal themes.

Christian Allain - Meet You There | karaoke

♫♫♫♫♫

time is so Evil, 

why must I decide? 

To follow my heart 

or to swallow my pride? 

If I knew you were leaving, 

then I could have stayed 

But maybe this lesson's one 

we need to save 

Don't understand it 

I'm numb from all the damage 

I say that I'm the man, 

but can't even manage

hold on hold on

i dont wanna lose you

i dont wanna lose you

hold on hold on

i cannot lose you

i cannot lose you

gave all the bad to the lines 

that weve thrown

and i stop believin

so i didn't cause 

to you show me what love is

i'm grateful for you

i just wish i could win 

without having to lose

now i understand it

i won't take you for granted

i say that i'm a man

but i'm barely standing

i'm standing

hold on hold on

i dont wanna lose you

i dont wanna lose you

hold on hold on

no i cannot lose you

no i cannot lose you again

way to know,

a girl was gone

so if you love, someone

then let it go

so go on, go on

i dont wanna lose you

but i ve gotta lose you

so go on, go on

i dont wanna lose you

but i ve gotta lose you

so go on, go on

i dont wanna lose you

but i ve gotta lose you

so go on, find someone

i dont wanna lose you

but i ve gotta lose you again

Smugglaz - Paborito Mong Lovesong | KARAOKE

Smugglaz, born Jefferson Cornejo, is a prominent figure in the Filipino hip-hop scene, known for his rapid-fire delivery and intricate wordplay. Emerging from the underground battle rap circuit, he gained widespread recognition for his lyrical prowess and unique style. His collaborations with fellow artists have produced chart-topping hits, solidifying his position in the industry.

One of his notable tracks is "Nakakamiss," a collaboration with Curse One, Dello, and Flict-G. Released on November 10, 2014, the song reminisces about the past and the longing for simpler times. It resonated with many listeners, debuting at number one on the Billboard Philippines' Catalog Charts. The track also earned the distinction of being the most downloaded song at the 28th Awit Awards, highlighting its widespread appeal. A live performance of "Nakakamiss" on Wish 107.5's "Wish Bus" further amplified its popularity, becoming the first video on the station's YouTube channel to top local trending lists. citeturn0search0

While "Paborito Mong Lovesong" isn't as widely documented, it's another testament to Smugglaz's versatility as an artist. The title, translating to "Your Favorite Love Song," suggests a thematic exploration of love and personal connections. Smugglaz's ability to weave relatable narratives with his signature flow likely makes this track a favorite among fans.

Throughout his career, Smugglaz has consistently showcased his dedication to the craft, blending storytelling with technical skill. His contributions have not only enriched Filipino hip-hop but have also inspired a new generation of artists to explore and innovate within the genre.